Thursday, December 19, 2019

Essay about Marvel to His Mistress Carpe Diem! - 721 Words

Marvell to His Mistress: Carpe Diem! In Andrew Marvells poem To His Coy Mistress, hes arguing for affection. The object of the speakers desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and its foolish for two lovers to postpone a physical relationship. Marvells piece is structured as a poem but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that†¦show more content†¦In it, the readers sees the reality of a mortal life. The contrast between the serene, ideal world in stanza one and the harshness of death in stanza two creates an appeal to pathos again. The speaker uses the mistresss emotions of fear - scaring her by mentioning her fading beauty and lost youth. These ideas refute the first stanza. They show how quick time flies, and that once its gone, its gone forever. The mistress is meant to be full of hopelessness upon hearing the description of life after death, or lack thereof. The purity of her virginity is pointless in the afterlife. Following this point, Marvell presents a solution for lifes quick end. Instead of waiting for love, the mistress should seize the day and act now. Since she will not be desired after shes dead, and her virginity will be meaningless, the speaker argues for her to have sex with him in the present, while she is still alive and can enjoy it. Marvell presents this as a conquest, a game for lovers to playas they rush against time. As perverted as the speaker may seem, his point is proven in the structure of his argument. If the mistress agrees that the situation put forth in stanza one is unattainable because of the idea presented in stanza two, the only cure is doing as stanza three suggests: carpe diem. The strength of this argument is there in the flow and placement of the ideas. Its odd that a love poem would be set up so logically, but thats what makes it so persuasiveShow MoreRelatedCompare and Contrast to His Coy Mistress and Passionate Shepherd to His Love1321 Words   |  6 Pages‘To His Coy Mistress’ Is a love poem by Andrew Marvel. The poem is ‘carpe diem’ which translates to seize the day, this means the poem does not take its time its blunt and straight to the point. The poem contains a thesis, antithesis and synthesis, the main argument points of the poem. The poem is split into three stanza’s which are used to persuade the woman to give up her virginity befor e her beauty dies. It is a conventional poem for its time in the 17th century. In the first stanza Marvel introducesRead MoreA Comparison of ‘To His Coy Mistress’ by Andrew Marvell and ‘Cousin Kate’ by Christina Rossetti1295 Words   |  6 PagesA Comparison of ‘To His Coy Mistress’ by Andrew Marvell and ‘Cousin Kate’ by Christina Rossetti Andrew Marvell (1621-1678) was a British writer. He was a poet during the Renaissance period. He was one of the metaphysical poets, known for his works like ‘To His Coy Mistress’. He was an assistant to John Milton and a Member of Parliament. Christina Rossetti (1830-1894) was a British writer. She was one of the greatest Victorian poets. She lived a reclusive life and was Read MorePoetry by William King, Martyn Lowery, Andrew Marvell, Liz Lochhead, John Cooper Clarke and Elizabeth Jennings10576 Words   |  43 PagesMarvell, Liz Lochhead, John Cooper Clarke and Elizabeth Jennings Introduction. The hearts and partners theme contains the following poems: The Beggar Woman by William King (Pre 1900) Our Love Now by Martyn Lowery To His Coy Mistress by Andrew Marvell (Pre 1900) Rapunzstiltskin by Liz Lochhead i wanna be yours by John Cooper Clarke One Flesh by Elizabeth Jennings As the title suggests, hearts and partners deals with love and relationships. In

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